Daydayli

lzbth:

lzbth:

there is the most incredible cloud outside its like a ridiculously long thin line and im so excited about it

image

heres me pretending to be breathing it out

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

jawnthebaptiste:

kingjaffejoffer:

Michael Brown’s dad before the burial. 
The emotion and all of the sweat…. shit is hard to look at, even if its only a picture

I didn’t want to reblog this because it’s hard to look at, but people SHOULD see it.
We SHOULD see a father mourning his teenage son.
We SHOULD see how a killing like Mike’s can take a toll on not only a community, but a family.
It’s as easy for young black men to become martyrs as it is for them to become victims. They can never just be humans. 
We can never just be.

jawnthebaptiste:

kingjaffejoffer:

Michael Brown’s dad before the burial. 

The emotion and all of the sweat…. shit is hard to look at, even if its only a picture

I didn’t want to reblog this because it’s hard to look at, but people SHOULD see it.

We SHOULD see a father mourning his teenage son.

We SHOULD see how a killing like Mike’s can take a toll on not only a community, but a family.

It’s as easy for young black men to become martyrs as it is for them to become victims. They can never just be humans. 

We can never just be.

bleerios:

Karofsky Returning As Potential Love Interest For Blaine

image

iwriteaboutfeminism:

Saturday morning, over 1,000 people march for justice for Michael Brown. 

August 30th.

cavityqueen:

my friend works in the grooming department at PetSmart and they just bought a bunch of puppy safe hair chaLK I AM DEAD

cavityqueen:

my friend works in the grooming department at PetSmart and they just bought a bunch of puppy safe hair chaLK I AM DEAD

kettle-black:

pillessar:

ryssa-aquicoine:

crystalmaverick:

No way

NO FUCKING WAY

THERE’S NO DRIVER

CALLING ALL AUTOBOTS

Is this real or just a fantasy? Don’t be messing with me now I’m so 10000% hyped up right now.

meetingyourmaker:

Morning Light
Art Request by jakathine (FemSherlock reading)
Sherlock has beautiful hair but she keeps sticking things into them :)

meetingyourmaker:

Morning Light

Art Request by jakathine (FemSherlock reading)

Sherlock has beautiful hair but she keeps sticking things into them :)

homohysteria:

inaruri:

thelastblackman:

Medical Examiner In Zimmerman Trial Sues For $100M, Claims Prosecution Threw Case
In a bombshell allegation, Florida medical examiner Dr. Shiping Bao (pictured) claims that Florida state prosecutors were biased against Trayvon Martin and purposely threw the case, and he is suing the state for $100 million, reports WFTV.com.
According to Bao, the medical examiner, state attorney’s office, and Sanford Police Department all felt that Martin “got what he deserved.” Bao also claims that he received the strong, though subtle, message not to speak on certain things:
“He was in essence told to zip his lips. ‘Shut up. Don’t say those things,’” said Bao’s legal counsel, legendary Attorney Willie Gary.
Bao’s allegations come swiftly on the heels of him being fired from his position as associate medical examiner.
Volusia County released a letter on Tuesday, stating that Bao was fired last week. Spokesman Dave Byron declined to give a reason for Bao’s termination, citing “county standard personnel practices,” reports CBS News.

you go medical examiner Bao, you go!

SLOW CLAP FOR THIS HERO OF COLOR PUTTING HIS NECK ON THE LINE TO GET THIS DONE FOR OTHER CHILDREN AND PEOPLE OF COLOR.

homohysteria:

inaruri:

thelastblackman:

Medical Examiner In Zimmerman Trial Sues For $100M, Claims Prosecution Threw Case

In a bombshell allegation, Florida medical examiner Dr. Shiping Bao (pictured) claims that Florida state prosecutors were biased against Trayvon Martin and purposely threw the case, and he is suing the state for $100 million, reports WFTV.com.

According to Bao, the medical examiner, state attorney’s office, and Sanford Police Department all felt that Martin “got what he deserved.” Bao also claims that he received the strong, though subtle, message not to speak on certain things:

“He was in essence told to zip his lips. ‘Shut up. Don’t say those things,’” said Bao’s legal counsel, legendary Attorney Willie Gary.

Bao’s allegations come swiftly on the heels of him being fired from his position as associate medical examiner.

Volusia County released a letter on Tuesday, stating that Bao was fired last week. Spokesman Dave Byron declined to give a reason for Bao’s termination, citing “county standard personnel practices,” reports CBS News.

you go medical examiner Bao, you go!

SLOW CLAP FOR THIS HERO OF COLOR PUTTING HIS NECK ON THE LINE TO GET THIS DONE FOR OTHER CHILDREN AND PEOPLE OF COLOR.

"No one will miss me", "I’m better off dead"

after-crisis:

When I worked at a non-profit that handled suicide prevention, I had access to the donation records. Each month, a specific man donated 15$ to our organization. It was like clockwork.. same day, same man, he had been doing this for over 4 years. It always seemed odd to me but I never questioned it… until I saw a note attached one month. "For Noah- Dad"

his donation was once his child’s allowance.

I can promise you, they would miss you for the rest of their lives.